Cinema And Hyperreality In Baudrillard’s Philosophy: In The Example Of The Movie Conquest 1453

Abstract

In this study, where Baudrillard’s approach to cinema, known for his philosophy on reality with the simulation theory, which is recognized as a French thinker, is discussed, the Conquest 1453 film, one of the historical films that are considered as the presentation of hyperreality in cinema, was taken into consideration using the historical analysis method. In this context, the subject of our study; “Cinema and Hyperreality in Baudrillard’s Philosophy: On the Example of the Conquest 1453 Film” in the title of the study, it is aimed to examine Baudrillard’s philosophy on hyperreality in cinema by considering the Conquest 1453 film. As a result of the review, the film Conquest 1453, which reflects Baudrillard’s thoughts on hyperreality in historical films, is one of the most popular films, in addition to being one of the films in which reality turns into hyperreality, illusion, image and aesthetics disappear, and ideology is seen to die as a film.